Our aim is to give as many diverse voices (women, BAME, LGBTQ+, different ages / seniority, people with disabilities) a chance to determine the results of this industry-leading event. The final judging panel will be comprised of an inclusive range of individuals to fully represent the industry. These scores are reviewed and form the basis of our shortlist.įor round two, we bring all judges together within their panels to discuss the shortlisted entries and determine the winners. Round one happens online during the month of June where judges are asked to independently mark all entries. Each entry is judged by three to five people and we design it so that different kinds of people hear your work. Our expert judging panels are made up of leaders from across the sector and we pride ourselves on our rigorous and objective judging process. The British Podcast Awards matter because they are judged by the toughest critics, your peers. So we’re looking for treatments, guests and stories that aren’t represented in other media, perspectives that you couldn’t hear anywhere else and specifically material tuned to the podcast listening experience. NEW PERSPECTIVES - podcasting is a medium with low barriers to entry, and with longer engagement than most online media. Resolved to board the craft, a collector of late 20th century pop memorabilia embarks on a surreal journey to uncover its secrets. Does it stand out in the category? Judges will ask themselves: would this content motivate me to listen to this show on a regular basis? (2015) Watch Now Filters Best Price Free SD HD 4K Rent A 3.23 HD Something wrong Let us know Synopsis Dormant for decades, a mothership hovering over post-apocalyptic Ethiopia awakens. IMPACT - engage our judges with your best work. How have you used sound to tell your story in the best possible way? Is the content interesting, entertaining or engaging and delivered well? QUALITY - both of the sound and the content. Judges will be asked to reward entries with an appreciation of the podcast audience and medium, and that do so consistently. We’re looking forward to receiving your entries and celebrating the passion and diversity of podcasting with you. Our panel of independent expert judges will be looking for the best and brightest the podcast industry has to offer, recognising those standout shows that elevate the medium and help create an industry that we can all be proud of. Whether you’re part of a major studio or a solo podcaster going it alone, the British Podcast Awards is your chance to showcase your skills. To keep our categories fresh and relevant we’ve evolved our categories this year to include History, Parenting and Kids, to ensure, as always, we are representing the full scope of the market. This year, the British Podcast Awards is brought to you by PodPod, the podcast industry’s leading trade publication, and aims to shine a light on the very best the sector has to offer across a wide range of topics and formats. Now in its 7th year, the British Podcast Awards champions the people both in front of and behind the microphone, giving creators the recognition they deserve. Thank goodness these films are around to help us understand them.Podcasting is becoming more important than ever, both as a creative medium and as a commercial channel, and this growth is being driven by the tireless dedication of the podcast community. And if you’re into bruising beefs, The King of Kong and Dig! both sit proudly at the compellingly ego-strewn end of our list of the greatest documentaries ever made. DA Pennebaker’s films offer a box seat in the lives of their subjects that money can’t buy, Jennie Livingston’s legendary LGBTQ+ doc Paris is Burning captures a cultural moment for eternity, while Martin Scorsese and Jonathan Demme’s concert films burnish musical greats with a sense of cinematic awe. That said, from the era of cinéma vérité onwards, great docs have been getting pretty damn close to the truth – and in endlessly entertaining style. You sit down expecting an objective truth, only to be reminded that there’s no such thing. Starting with the Lumière brothers, the documentary has allowed filmmakers to observe and examine life in all its glory ( Apollo 11 ) and horror ( Shoah ), as well as take playful liberties with those grey areas between reality and fiction ( F For Fake, Dick Johnson is Dead ).
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